Jency
Sekaran
Media:
Mixed Media, Ceramics

Studio Location:
Jency Sekaran Studio- 13-14 Jackson Ave, Long Island City, NY 11101
Room/Studio#
4E
Website:
Artist Bio:
Jency Sekaran is a New York City-based multimedia artist exploring themes on intersectionality of identity. Combining many different techniques such as printmaking, embroidery, and ceramics, Sekaran is able to depict stories of the complexity of being a third culture person in America.
Being an Indian woman in America, Sekaran struggled with adhering to both cultures which led her to create her own culture, a third culture. By depicting the female form breaking free of cultural and societal ideology, Sekaran evokes emotions of acceptance of multiple identities and freedom of choice.
In 2013, Sekaran received their BA in Art and minor in Biology from Augusta University, however, being raised by Indian immigrant parents, she followed her parents dream of being in the sciences. Receiving her Master in Public Health in 2017 from Georgia State University, science has heavily influenced her art by incorporating organic chemistry and beakers serving as a container for memory and emotion.
In 2023, Sekaran had her first residency and solo exhibition, ‘She is....’ at Carroll Hall in Brooklyn, NY. She currently is represented by Atlantic Gallery, and has been in multiple group shows in New York City. Sekaran has been published in the Canvas Rebel and the Artist Talk magazine as well as been on the Scouted podcast.
Artist Statement:
I explore the complexities of identity, aiming to foster a dialogue about acceptance and empowerment through mixed media. As a first-generation Indian American, my lived experiences deeply influence my work, addressing themes of repressed memories, trauma, and societal commentary. I often depict figures on the verge of breaking free from cultural and societal pressures. My dual cultural influences, often led to questions about my identity, prompting me, like many children of immigrants, to create a third culture that embraces multiple identities.
My background as an epidemiologist has broadened my ability to see things from various perspectives, informing my art, which comments on the acceptance of bodies, gender, skin tone, and womanhood. I often use traditional Indian art forms such as printmaking and embroidery, which connect me to my heritage and serve as a therapeutic outlet. The repetitive motions of carving and stitching function as a form of emotional processing, similar to EMDR therapy, grounding me and helping to release stuck emotions. The depth of the carve into wood symbolizes the intensity of the feelings being processed. Faceless bodies adorned with mehndi in my work highlight "problem" areas, celebrating how my body has protected and nurtured me. Through symbolism and personal experience, I aim to inspire understanding and embrace diverse identities.