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Jency

Sekaran

Media:

Mixed Media, Ceramics

Jency

Studio Location:

Jency Sekaran Studio- 13-14 Jackson Ave, Long Island City, NY 11101

Room/Studio#

4E

Website:

Artist Bio:

Jency Sekaran is a New York City-based multimedia artist exploring  themes on intersectionality of identity. Combining many different  techniques such as printmaking, embroidery, and ceramics, Sekaran is  able to depict stories of the complexity of being a third culture person  in America. 


Being an Indian woman in America, Sekaran struggled with adhering to  both cultures which led her to create her own culture, a third culture.  By depicting the female form breaking free of cultural and societal  ideology, Sekaran evokes emotions of acceptance of multiple identities  and freedom of choice.    


In 2013, Sekaran received their BA in Art and minor in Biology from  Augusta University, however, being raised by Indian immigrant parents,  she followed her parents dream of being in the sciences. Receiving her  Master in Public Health in 2017 from Georgia State University, science  has heavily influenced her art by incorporating organic chemistry and  beakers serving as a container for memory and emotion.     


In 2023, Sekaran had her first residency and solo exhibition, ‘She  is....’ at Carroll Hall in Brooklyn, NY. She currently is represented by  Atlantic Gallery, and has been in multiple group shows in New York  City. Sekaran has been published in the Canvas Rebel and the Artist Talk  magazine as well as been on the Scouted podcast.

Artist Statement:

I explore the complexities of identity, aiming to foster a dialogue  about acceptance and empowerment through mixed media. As a  first-generation Indian American, my lived experiences deeply influence  my work, addressing themes of repressed memories, trauma, and societal  commentary. I often depict figures on the verge of breaking free from  cultural and societal pressures. My dual cultural influences, often led  to questions about my identity, prompting me, like many children of  immigrants, to create a third culture that embraces multiple  identities.  


My background as an epidemiologist has broadened my ability to see  things from various perspectives, informing my art, which comments on  the acceptance of bodies, gender, skin tone, and womanhood. I often use  traditional Indian art forms such as printmaking and embroidery, which  connect me to my heritage and serve as a therapeutic outlet. The  repetitive motions of carving and stitching function as a form of  emotional processing, similar to EMDR therapy, grounding me and helping  to release stuck emotions. The depth of the carve into wood symbolizes  the intensity of the feelings being processed.  Faceless bodies adorned with mehndi in my work highlight "problem"  areas, celebrating how my body has protected and nurtured me. Through  symbolism and personal experience, I aim to inspire understanding and  embrace diverse identities.

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