Karen Kettering
Dimit
Media:
Sculpure
Studio Location:
LIC Art Center - 44-02 23rd Street
Room/Studio#
316
Website:
Artist Bio:
Karen Kettering Dimit, Co-Founder of the LIC Arts Open, is a self-taught artist, but steeped in art history, classical techniques and contemporary conceptual art through extensive travel, voracious art exposure and occasional workshops. Ms. Dimit has won many awards, and shown extensively throughout the U.S. Her Ms. Sphinx and Medusa (after Caravaggio) are in the new Skylands Museum of Art, Lafayette, NJ. Most recently, she has shown with the Sculptors' Guild, co-curated and shown in Behind the Mask: the Art of Women Who Weld at Culture Lab LIC, won the red dot in the Art Students League Salon, won the Contemporary Innovation Award at the 2018 Mosaic Arts International. Other recent invited or juried shows at The Gallery at Penn College, The Parthenon Nashville, the Women's History Museum of California, Museum of Glass in Tacoma WA, Gold Coast Arts Center, Philadelphia's Magic Garden Gallery, the Painted Bride, the Museum of Man in San Diego, and multiple shows in NYC and Boston. Ms. Dimit maintains a studio in Long Island City, NY. She is a member of the Society of American Mosaic Artists (SAMA) and Sculptors Guild.
Artist Statement:
My artworks deal with multiple dualities inherent in the human condition that are triggered by current events. Historical references are contrasted with modern elements to express a collective sense of what we have become. I utilize materials that have relevance beyond the material's basic decorative function, striving to find the confluence of narrative, process and material.
For the last 15 years, I have focused my art practice on gender bias issues. Yin and yang, the balanced concept of female and male duality, seems to be dramatically out of balance due to the subjugation of the feminine to the masculine in our global society. Systemic entitlement propagates gender bias and inequality, promoting arrested development for all. Juxtaposing disparate mosaic techniques and materials, the unique language of mosaics is used to tell and deepen the narrative. I began welding 5 years ago to create stronger armatures, and now the steel has become an integral part of my practice.