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Kathleen

Agnoli

Media:

Photography

Studio Location:

43-01 22nd Street

Room/Studio#

438

Website:

Kathleen

Artist Bio:

In the last five years, I have assembled a legacy book project that includes a brief memoir and black and white photographic portraits of artists and friends. The portrait sittings actually occurred between 1979 and 1981 in my SoHo loft at a time when SoHo was a collegial community of artists and art commerce.The portraits are timeless, revelatory, and powerful. The project is entitled The Face of SoHo Once Upon a Time to evoke the warm and fuzzy sense of bygone days.


I began my photographic career as one of the original Soho loft dwellers in the seventies. Previously, I frequented a trendy art bar/restaurant called Max's Kansas City. Although Max's did not qualify to be on any art school syllabus, I was inspired and educated by this intoxicating environment.

Drinking in proximity to Andy Warhol, maybe helped?


After completing my portrait series, I moved to Paris for six years, where I taught photography at the American Center on the Boulevard Raspail. I had exciting photography adventures including sittings with the president of France, Francois Mitterand and other luminaries, aristocrats, cafe proprietors, etc.. My work appears in the following public collections:

THE MUSEUM OF MODERN ART, NEW YORK, NY.

CENTRE GEORGES POMPIDOU, PARIS, FRANCE. 

BIBLIOTHEQUE NATIONALE, PARIS, FRANCE.

BOYMANS VAN BEUNINGEN, ROTTERDAM, NETHERLANDS.

THE OCEAN COUNTY LIBRARY, TOMS RIVER, NJ.


When I returned to New York, I continued making portraits--now working from life. I am working on an irreverent photographic series called "My Left Thumb" which focuses on not focusing.

Artist Statement:

Every day, in some way I am faced with me. I became interested in seeing what that looked like. Not the collection of ideas comprised of what I have been told I am, or should be, or what I shouldn't be; but, really, who am I? In order to discover me, it was helpful to look, really look at me; then to interpret that observation using whatever tool I could.


My art grew out of that exploration. One might say I was broken open and transformed by this process, even healed. Although my work is often confrontational / it is beautiful. The work is on paper and apparently fragile / yet powerful. The work is figurative, yet unreal, provocative or taboo / it's always truthful.

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